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IT WAS JUST AN ACCIDENT
Ped Mall -The Screening Room
Fri, Nov 7, 2025 4:00 PM
Ped Mall -The Screening Room
Fri, Nov 7, 2025 7:00 PM
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Fri, Nov 7, 2025 9:30 PM
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Sat, Nov 8, 2025 1:00 PM
Ped Mall -The Screening Room
Sat, Nov 8, 2025 4:00 PM
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Sat, Nov 8, 2025 7:00 PM
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Sun, Nov 9, 2025 1:00 PM
Ped Mall -The Screening Room
Sun, Nov 9, 2025 4:00 PM
Ped Mall -The Screening Room
Sun, Nov 9, 2025 7:00 PM
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Mon, Nov 10, 2025 4:00 PM
Ped Mall -The Screening Room
Mon, Nov 10, 2025 7:00 PM
Ped Mall -The Screening Room
Tue, Nov 11, 2025 4:00 PM
Ped Mall -The Screening Room
Tue, Nov 11, 2025 7:00 PM
Ped Mall -The Screening Room
Wed, Nov 12, 2025 4:00 PM
Ped Mall -The Screening Room
Wed, Nov 12, 2025 7:00 PM
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Thu, Nov 13, 2025 4:00 PM
Ped Mall -The Screening Room
Thu, Nov 13, 2025 7:00 PM
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Fri, Nov 14, 2025 4:00 PM
Ped Mall -The Screening Room
Fri, Nov 14, 2025 7:00 PM
Ped Mall -The Screening Room
Fri, Nov 14, 2025 9:30 PM
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Sat, Nov 15, 2025 1:00 PM
Ped Mall -The Screening Room
Sat, Nov 15, 2025 4:00 PM
Ped Mall -The Screening Room
Sat, Nov 15, 2025 7:00 PM
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Sun, Nov 16, 2025 1:00 PM
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Sun, Nov 16, 2025 4:00 PM
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Sun, Nov 16, 2025 7:00 PM
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Mon, Nov 17, 2025 4:00 PM
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Mon, Nov 17, 2025 7:00 PM
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Tue, Nov 18, 2025 4:00 PM
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Tue, Nov 18, 2025 7:00 PM
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Wed, Nov 19, 2025 4:00 PM
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Wed, Nov 19, 2025 7:00 PM
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Thu, Nov 20, 2025 4:00 PM
Ped Mall -The Screening Room
Thu, Nov 20, 2025 7:00 PM
"One of the year's best is yet another moving, prickly and hopeful morality tale from [Jafar] Panahi."—Radheyan Simonpillai, CBC Radio
“The film is astutely aware of the physical and psychological scars that result from living in a state of tyranny.”—Mark Hanson, Slant Magazine
“Shot in secret under constant threat, [It Was Just an Accident] draws on Panahi's own harrowing experiences, infusing every frame with urgency and authenticity.”—Peter Howell, Toronto Star
A Blue Carpet Dash Film
Programmer's Pick
Vahid, an unassuming mechanic, has a chance encounter with Eghbal, a man he strongly suspects to be his former sadistic jailhouse captor. Panicked, Vahid gathers several former prisoners, all abused by that same captor, to try and confirm Eghbal's identity. As the bickering group drives around Tehran with the captive, they must confront how far to take matters into their own hands with their presumed tormentor.
From master filmmaker Jafar Panahi (No Bears) comes a searing moral thriller that engages with complex ideas about the uncertainty of the truth and the choice between revenge and mercy, as Panahi turns his personal dissonance into a profound and galvanizing work of art.
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